Fortin Boquerón: a conflict landscape past and present

Similarly to the First World War, the lesser known Chaco War, fought between Paraguay and Bolivia (1932-1935), is a conflict characterised by the excesses of twentieth century ‘supermodernity'. The physical and emotional traces of the Chaco War are numerous, yet academic studies have previously concentrated on the latter's military history as the centre of their attention. It is the aim of this paper to introduce the potential for an archaeological and anthropological analysis of the Chaco War, thereby using Fortín Boquerón as a means of exemplification. Many of the fortines or military posts, which during the years of conflict constituted crucial focal points in the Chaco landscape, have survived into the present day. Fortín Boquerón represented the setting for one of the most legendary and gruelling battles of the war in question. Partially restored and turned into a tourist attraction throughout the course of the past twenty years, it has now evolved into an invaluable site of interest for the multi-disciplinary investigation techniques of modern conflict archaeology

Conflict, Heritage and World-Making in the Chaco

Conflict, Heritage and World-Making in the Chaco documents and interprets the physical remains and afterlives of the Chaco War (1932-35) – known as South America’s first ‘modern’ armed conflict – in what is now present-day Paraguay. It focuses not only on archaeological remains as conventionally understood, but takes an ontological approach to heterogeneous assemblages of objects, texts, practices and landscapes shaped by industrial war and people’s past and present engagements with them. These assemblages could be understood to constitute a ‘dark heritage’, the debris of a failed modernity. Yet it is clear that they are not simply dead memorials to this bloody war, but have been, and continue to be active in making, unmaking and remaking worlds – both for the participants and spectators of the war itself, as well as those who continue to occupy and live amongst the vast accretions of war matériel which persist in the present. Framing the study as an exploration of modern, industrialised warfare as Anthropocene ‘hyperobject’ (Morton 2013), This book shows how the material culture and heritage of modern conflict fuse together objects, people and landscapes, connecting them physically and conceptually across vast, almost unimaginable distances and time periods. She offers a unique perspective on the heritage of conflict, the natural environment, practices of recycling, the concept of time, and the idea of the ‘Anthropocene’ itself, as seen through the lens of the material legacies of war, which remain firmly and stubbornly embedded in the present and which continue to actively shape the future. This book makes a major contribution to key debates in anthropology, archaeology, critical heritage and material culture studies on the significance of conflict in understanding the Anthropocene, and the roles played by its persistent heritages in assembling worlds

Conflict, Heritage and World-Making in the Chaco

Conflict, Heritage and World-Making in the Chaco documents and interprets the physical remains and afterlives of the Chaco War (1932-35) – known as South America’s first ‘modern’ armed conflict – in what is now present-day Paraguay. It focuses not only on archaeological remains as conventionally understood, but takes an ontological approach to heterogeneous assemblages of objects, texts, practices and landscapes shaped by industrial war and people’s past and present engagements with them. These assemblages could be understood to constitute a ‘dark heritage’, the debris of a failed modernity. Yet it is clear that they are not simply dead memorials to this bloody war, but have been, and continue to be active in making, unmaking and remaking worlds – both for the participants and spectators of the war itself, as well as those who continue to occupy and live amongst the vast accretions of war matériel which persist in the present. Framing the study as an exploration of modern, industrialised warfare as Anthropocene ‘hyperobject’ (Morton 2013), This book shows how the material culture and heritage of modern conflict fuse together objects, people and landscapes, connecting them physically and conceptually across vast, almost unimaginable distances and time periods. She offers a unique perspective on the heritage of conflict, the natural environment, practices of recycling, the concept of time, and the idea of the ‘Anthropocene’ itself, as seen through the lens of the material legacies of war, which remain firmly and stubbornly embedded in the present and which continue to actively shape the future. This book makes a major contribution to key debates in anthropology, archaeology, critical heritage and material culture studies on the significance of conflict in understanding the Anthropocene, and the roles played by its persistent heritages in assembling worlds

Heritage Futures

Preservation of natural and cultural heritage is often said to be something that is done for the future, or on behalf of future generations, but the precise relationship of such practices to the future is rarely reflected upon. Heritage Futures draws on research undertaken over four years by an interdisciplinary, international team of 16 researchers and more than 25 partner organisations to explore the role of heritage and heritage-like practices in building future worlds. Engaging broad themes such as diversity, transformation, profusion and uncertainty, Heritage Futures aims to understand how a range of conservation and preservation practices across a number of countries assemble and resource different kinds of futures, and the possibilities that emerge from such collaborative research for alternative approaches to heritage in the Anthropocene. Case studies include the cryopreservation of endangered DNA in frozen zoos, nuclear waste management, seed biobanking, landscape rewilding, social history collecting, space messaging, endangered language documentation, built and natural heritage management, domestic keeping and discarding practices, and world heritage site management. 'I suspect this book will prove to be a revolutionary addition to the field of heritage studies, flipping the gaze from the past to the future. Heritage Futures reveals the deep uncertainties and precarities that shape both everyday and political life today: accumulation and waste, care and hope, the natural and the toxic. It represents a uniquely impressive intellectual and empirical roadmap for both anticipating and questioning future trajectories, and the strange, unfamiliar places heritage will take us.’ - Tim Winter, University of Western Australi

Heritage Futures

Preservation of natural and cultural heritage is often said to be something that is done for the future, or on behalf of future generations, but the precise relationship of such practices to the future is rarely reflected upon. Heritage Futures draws on research undertaken over four years by an interdisciplinary, international team of 16 researchers and more than 25 partner organisations to explore the role of heritage and heritage-like practices in building future worlds. Engaging broad themes such as diversity, transformation, profusion and uncertainty, Heritage Futures aims to understand how a range of conservation and preservation practices across a number of countries assemble and resource different kinds of futures, and the possibilities that emerge from such collaborative research for alternative approaches to heritage in the Anthropocene. Case studies include the cryopreservation of endangered DNA in frozen zoos, nuclear waste management, seed biobanking, landscape rewilding, social history collecting, space messaging, endangered language documentation, built and natural heritage management, domestic keeping and discarding practices, and world heritage site management. 'I suspect this book will prove to be a revolutionary addition to the field of heritage studies, flipping the gaze from the past to the future. Heritage Futures reveals the deep uncertainties and precarities that shape both everyday and political life today: accumulation and waste, care and hope, the natural and the toxic. It represents a uniquely impressive intellectual and empirical roadmap for both anticipating and questioning future trajectories, and the strange, unfamiliar places heritage will take us.’ - Tim Winter, University of Western Australi

The ‘White Death’: thirst and water in the Chaco War

Book synopsis: Modern Conflict and the Senses investigates the sensual worlds created by modern war, focusing on the sensorial responses embodied in and provoked by the materiality of conflict and its aftermath. The volume positions the industrialized nature of twentieth-century war as a unique cultural phenomenon, in possession of a material and psychological intensity that embodies the extremes of human behaviour, from total economic mobilization to the unbearable sadness of individual loss. Adopting a coherent and integrated hybrid approach to the complexities of modern conflict, the book considers issues of memory, identity, and emotion through wartime experiences of tangible sensations and bodily requirements. This comprehensive and interdisciplinary collection draws upon archaeology, anthropology, military and cultural history, art history, cultural geography, and museum and heritage studies in order to revitalize our understandings of the role of the senses in conflict

Conflict, heritage and world-making in the Chaco: war at the end of the worlds?

Book synopsis: Conflict, Heritage and World-Making in the Chaco documents and interprets the physical remains and afterlives of the Chaco War (1932-35) – known as South America’s first ‘modern’ armed conflict – in what is now present-day Paraguay. Esther Breithoff focuses not only on archaeological remains as conventionally understood, but takes an ontological approach to heterogeneous assemblages of objects, texts, practices and landscapes shaped by industrial war and people’s past and present engagements with them. These assemblages could be understood to constitute a ‘dark heritage’, the debris of a failed modernity. Yet it is clear that they are not simply dead memorials to this bloody war, but have been, and continue to be active in making, unmaking and remaking worlds – both for the participants and spectators of the war itself, as well as those who continue to occupy and live amongst the vast accretions of war matériel which persist in the present. Framing the study as an exploration of modern, industrialised warfare as Anthropocene ‘hyperobject’ (Morton 2013), Breithoff shows how the material culture and heritage of modern conflict fuse together objects, people and landscapes, connecting them physically and conceptually across vast, almost unimaginable distances and time periods. She offers a unique perspective on the heritage of conflict, the natural environment, practices of recycling, the concept of time, and the idea of the ‘Anthropocene’ itself, as seen through the lens of the material legacies of war, which remain firmly and stubbornly embedded in the present and which continue to actively shape the future. This book makes a major contribution to key debates in anthropology, archaeology, critical heritage and material culture studies on the significance of conflict in understanding the Anthropocene, and the roles played by its persistent heritages in assembling worlds